Clotel would have historic interest simply by virtue of the fact that William Wells Brown appears to have been the first African American to write a novel.  But it's not merely a literary curiosity; it is also an eminently readable and emotionally powerful, if forgivably melodramatic, portrait of the dehumanizing horrors of slave life in the Ante-bellum South.  Brown, himself an escaped slave, tells the story of the slave Currer and her daughters, Clotel and Althesa, and of their attempts to escape from slavery.  The central conceit of the story is that the unacknowledged father of the girls is Thomas Jefferson himself.

There is an immediacy to the stories here--of slave auctions, of families being torn apart, of card games where humans are wagered and lost, of sickly slaves being purchased for the express purpose of resale for medical experimentation upon their imminent deaths, of suicides and of many more indignities and brutalities--which no textbook can adequately convey.  Though the characters tend too much to the archetypal, Brown does put a human face on this most repellent of American tragedies. He also makes extensive use (so extensive that he has been accused, it seems unfairly, of plagiarism) of actual sermons, lectures, political pamphlets, newspaper advertisements, and the like, to give the book something of a docudrama effect.

The Bedford Cultural Edition of the book, edited by Robert S. Levine, has extensive footnotes and a number of helpful essays on Brown and on the sources, even reproducing some of them verbatim.  Overall, it gives the novel the kind of serious presentation and treatment which it deserves, but for obvious reasons has not received in the past.  Brown's style is naturally a little bit dated and his passions are too distant for us to feel them immediately, but as you read the horrifying scenes of blacks being treated like chattel, you quickly come to share his moral outrage at this most shameful chapter in our history.

(Reviewed:21-Feb-01)

Grade: (B) Orrin C. Judd

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