Drood (2009)Dickens took a "vacation" trip to France at the end of May 1865. Before leaving he told Forester: "Work and worry...would soon make an end of me. If I were not going away now, I should break down. No one knows as I know to-day how near to it I have been..." But rest was not the only reason for Dickens's departure. He was also going to France to visit Ellen Ternan. With his first book, Song of Kali, Dan Simmons won the World Fantasy Award. In 1989, he published Carrion Comfort,m which won the Bram Stoker, and Hyperion, which won the Hugo and Locus awards. He followed, in 1992, with Summer of Night, a story of 5 young boys in early 60s Elm Haven, IL, that invoked the spirit of Ray Bradbury's Dandelion Wine and Something Wicked. In short order he'd triumphed in the fields of horror, science fiction, and fantasy. He's subsequently written excellent entries in the field of noir -- Hard as Nails -- the spy thriller -- The Crook Factory -- and historical fiction -- The Terror. I've been proselytizing for him--giving his books to friends and family--for twenty years now and I don't just think he's a terrific author but one who's earned some leeway from fans to experiment because so many of his past endeavors have succeeded. So while his latest, Drood, has some weaknesses, I'm willing to look past them and be thankful for the stuff he gets right here. Drood takes as its starting point the factual Staplehurst Disaster of June 9, 1865, as described above. Simmons imagines that in the midst of the wreckage Dickens encounters a mysterious character named Drood, who appears to be murdering survivors of the crash even as Dickens is trying to save them. Drood becomes an obsession for the famed author who hunts him for the next 5 years, even into the city sewers, with the assistance of rival and collaborator Wilkie Collins and some help from a London detective. In essence, Drood takes on the quality of Moriarity to Dickens's Holmes or Fu Manchu to his Nayland Smith. The book gets this trope down pat and an author as skilled as Dan Simmons can't help but put the atmospherics of Victorian England to good use. Here his dark fantasy background comes in handy and gives the whole a spooky patina. But the narrator of the novel is Collins, who isn't just jealous of Dickens's success but is an abuser of laudnum to the point that he imagines his own doppelganger. While he provides a distinctive voice to the proceedings and a deliciously snarky take on the iconic Dickens, it also takes the device of the unreliable narrator to an extreme. And it will take a reader even more indulgent of Mr. Simmons than I not to be at least somewhat annoyed when 700 pages into the book the narrator is suggesting the whole story may just be a product of narcotic hallucinations. Indeed, the length of what is really an old-fashioned pulp fiction is problematic. We can understand Mr. Simmons's desire to fit what was obviously extensive research into the final text, but a decent editor wouldn't have hurt a bit. That said. the pages do fly by and far better an overlong good book than any bad one. This isn't the Simmons novel you should start with if he's new to you, but it's one his fans will definitely want to read and anyone will enjoy. (Reviewed:) Grade: (B) Tweet Websites:-AUTHOR SITE: DanSimmons.com -FILMOGRAPHY: Dan Simmons (IMDB) -WIKIPEDIA: Dan Simmons -AUTHOR PAGE: Dan Simmons (Harper Collins) -EXCERPT: First Chapter of The Terror by Dan Simmons -GOOGLE BOOK: Hyperion by Dan Simmons -INTERVIEW: Q&A: Dan Simmons, author of "Drood" (Mary Ann Gwinn, 2/15/09, Seattle Times) -INTERVIEW: Interview: Dan Simmons: A chilling local author heats up the Victorian Era (Cat Rambo, February 15, 2009, Denver Decider) -INTERVIEW: A Conversation with Dan Simmons (Interview by Steven H Silver, July 2003, SF Site) -INTERVIEW: World-class maker of worlds: A talk with Dan Simmons: "What interests me is that human beings are almost always corrupted by the control they wield over other human beings." (Interview by Michael Alec Rose, August 1997, BookPage) -INTERVIEW: A Conversation With Dan Simmons (Claire E. White, September 2001, Writers Write) -REVIEW ARCHIVES: for Drood by Dan Simmons (Reviews of Books) -REVIEW: of Drood by Dan Simmons (Marjorie Kehe, CS Monitor) -REVIEW: of Drood (Veronique de Turenne B&N Review) -REVIEW: of Drood (John Sutherland, Financial Times) -REVIEW: of Drood (John J. Miller, WSJ) In the postscript to his novel "Our Mutual Friend," Charles Dickens briefly described a railway accident that almost killed him: "I can never be much nearer parting company with my readers for ever, than I was then, until there shall be written against my life, the two words with which I have this day closed this book: THE END." -REVIEW: of Drood (Nick Owchar, LA Times) -REVIEW: of Drood (Independent) -REVIEW: of Drood (Michael Berry, SF Chronicle) -REVIEW: of Drood (Diane Juravich, Pittsburgh Post-Gazette) -REVIEW: of Drood (James Reese, St. Petersburg Times) -REVIEW: of Drood (Christopher Guerin, PopMatters) -REVIEW: of Drood (DJ Taylor, The Guardian) -REVIEW: of Drood (Julia Keller, Chicago Tribune) -REVIEW: of Drood (Louis Bayard, Washington Post) -REVIEW: of Drood (Ray Palen, Bookreporter) -REVIEW: of Drood (Dorman T. Shindler, The Denver Post) -REVIEW: of Drood (ROBERT CREMINS, The Dallas Morning News ) -REVIEW: of Drood (Katherine A. Powers, Boston Globe) -REVIEW: of Drood (Michael Alec Rose, Book Page) -REVIEW: of Drood (Curt Holman, Creative Loafing) -REVIEW: of Drood (Ellen Kanner, Miami Herald) -REVIEW: of Drood (The New Yorker) -REVIEW: of Drood (Maureen Corrigan, NPR) -REVIEW: of Drood (Steve Giegerich, ST. LOUIS POST-DISPATCH) -REVIEW: of Drood (Mark Graham, Rocky Mountain News) -REVIEW: of Drood (Dean Haigh, The Scotsman) -REVIEW: of Drood (SCOTT EYMAN, Palm Beach Post) -REVIEW: of Drood (Paul Constant, The Stranger) -REVIEW: of Drood (Jake Kerridge, Daily Telegraph) -REVIEW: of Drood (Bob Hussey, Rain Taxi) -REVIEW: of Ilium by Dan Simmons (Gerald Jonas, NY Times Book Review) -REVIEW: of Worlds Enoiugh & Time by Dan Simmons (Gerald Jonas, NY Times Book Review) -REVIEW: of Rise of Endymion by Dan Simmons (Gerald Jonas, NY Times Book Review) -REVIEW: of Endymion by Dan Simmons (Gerald Jonas, NY Times Book Review) -REVIEW: of Hyperion Cantos by Dan Simmons (Gerald Jonas, NY Times Book Review) Hyperion and Fall of Hyperion by Dan Simmons make up a single thousand-page novel about the last days of a vibrant yet self-destructive galactic civilization called the Hegemony. If the Hegemony is doomed, it is because, in exchange for the knowledge needed to conquer the stars, the human species has sold its soul to a hive of machine-based intelligences known as the Technocore. If there is any hope for human redemption, it is to be found on the planet Hyperion. -REVIEW: of Hyperion Cantos (Sandstorm Reviews) -REVIEW: of Hyperion Cantos (Gary Couzzens, InfinityPlus) -REVIEW: of -REVIEW ARCHIVES: The Terror by Dan Simmons (Reviews of Books) -REVIEW: of The Terror by Dan Simmons (Terrence Rafferty, NY Times Book Review) -REVIEW: of The Terror (Gilbert Cruz, Entertainment Weekly) -REVIEW: of The Terror (David Maisel, Washington Post) -REVIEW: of The Terror (John Clute, SciFi Weekly) -REVIEW: of The Terror (Deirdre Donahue, USA TODAY) -REVIEW: of The Terror (Matt Crenson, The Associated Press) -REVIEW: of The Terror (Katherine A. Powers, Boston Globe) -REVIEW: of The Terror (Michael Lee, BookPage) -REVIEW: of The Terror () -REVIEW: of The Terror (Sandy Amazeen, Monsters & Critics) -REVIEW: of The Terror (Adam Roberts, Strange Horizons) -REVIEW: of The Terror (Nisi Shawl, The Seattle Times) Book-related and General Links: |
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